SIGLINDA SCARPA: BY WAY OF A BIOGRAPHY
1940 |
Born to
Maria Comazzi and Sergio Scarpa in Novara, Piemonte, Italy, in
the foothills
of the Italian Alps. Not long after, Siglinda’s parents became
founding
members of the partisan movement against fascism. Sergio Scarpa
was one
of the principal authors of the new Italian constitution, was
elected
to the first Chamber of Deputies, and now holds the title of
Senator for
Life. |
1946 |
Introduced by her father
to the beauties of the surrounding mountains and took the first
of many
walks, often alone, in the rarefied air of the Alps that
instilled in
her a life-long sense, not only of independence, but of oneness
with the
universe. |
1953 |
Met Romano, who owned
a motorcycle and never kissed her, as well as Nino Caruso, who
introduced
Siglinda to her other great love: clay. |
1958 |
Seduced by the romantic
fairy tale of marriage, which almost paralyzed the artist she
was to become. |
1959 |
Bore two children, the
eldest of whom, Elena, is still alive and lives in Rome with her
son—Siglinda’s much loved grandson—Tomasso,
who also rides a motorcycle. |
1961 |
Became part of the art
movement associated with Carte Segrete. The group of painters,
writers,
musicians that included Ugo Attardi, one of Siglinda’s first
mentors,
Burri, Lucio Fontana, Guttoso, Carlo Levi, Dacia Maraini,
Moravia, Pino
Pascali, Pier Paolo Pasolini. |
1962 |
Prepared to go to America
with Pino Pascali, who impulsively spent all his money for the
trip on
scrap metal in Rome, and thus Siglinda went alone. The scrap
metal is
now a sculpture in the Museum of Modern Art in Rome. |
1962
to
1968 |
Studied art informally
in San Francisco, worked in the free-speech and anti-war
movement with
Mario Savio, talked philosophy with Jim Morrison, and decorated
Allen
Ginzberg’s ample belly with a Rapidograph pen, to Allen’s
great delight, at the beach one day. |
1968 |
Returned to Italy determined
to work in film. |
1969
to
1979 |
Studied film and sound
editing by looking over the shoulders of the best in Italy,
worked
with Fellini and Antonioni (edited “Amarcord” and “Zabriskie
Point”), and learned how hard it is for a woman to get her name
on the crawl—the only credit a film editor can hope to get. |
1978
to
1985 |
Founded the Siglinda
Scuola di Ceramica, which was associated with the Accademia di
Belle Arti,
and watched the mafia destroy it with sledge hammers when she
refused
to lend herself and her students to their purposes. |
1985 |
Hired by George Pitt
to edit films for his film company, Spectrum Associated, in
Manhattan. |
1986 |
Met and married her
present husband, a mascalzone if ever there was one. |
1986 |
Hired as Studio Manager
of the Greenwich House Pottery. |
1987
to
1996 |
Established a studio
in Cold Spring, NY, exhibited her work widely, and made a modest
beginning
to her family of animals with just two cats, a couple of pushy
geese,
and one very mean rooster. |
1996
to
Present |
Has lived and worked
in Chatham County, NC, has had her ups and downs (including
watching her
studio and Goat House Gallery burn to the ground that awful
January morning),
and has added goats, chickens, guinea hens, new geese, dogs, a
totally
beautiful bull, and cats, cats, cats to her family and to her
great joy. |
|